This site began life as an adjunct to the existing Fox Edition website but has gradually developed a life of its own. There’s a regularly up-dated list of everything published by the Fox Edition and a list of performances.
There are also musings on works-in-progress, many of which seem to be connected with memory and remembering. There’s information about my writing, and, under ‘Miscellaneous’, some articles that aren’t easy to find. When I can I also add otherwise unavailable recordings, the newest being Alan Hall’s Ligeti documentary in which I make a series of appearances and an old ‘Hear and Now’ clip about cowbells.
The most recent news is of projects ending and beginning. Durham University’s Musicon series has commissioned me to finish my Too Far cycle for their November 2014 festival and the Wellcome Trust have funded a new work, Phantom Voices, for the voices of The Clerks and electronics exploring the phenomenon of auditory hallucination, the voices and music we hear in our heads; it’s a collaboration with the psychologist Charles Fernyhough and will be premiered in October. Also underway is a piece for Ilan Volkov, the improvising musician Rhodri Davies, and the BBC Scottish Symphony Orchestra, to be premiered in the 2015 Tectonics Festival.
Other news: Anton Lukoszevieze has made a wonderful studio recording of my new cello piece, re:play, for the BBC and they will broadcast it in August; and Philip Thomas’s CD of my recent piano music, Republican Bagatelles, Thermogenesis, at the edge of time and L’ascenseur, is being mastered for release on HatHut in the summer. Plans are afoot too for new CDs, one of more cello music and the other of vocal music.
Christopher Fox, 22 July 2014