This site lists everything published by the Fox Edition (works that will also be increasingly available through the Composers Edition), offers thoughts on work-in-progress and, under normal circumstances, would have news of imminent performances. It is updated regularly but the topical content is not archived. There are recordings, including the late Bob Gilmore’s documentary on my music, from his Tentative Affinities project, and links to other material, such as this YouTube clip of Ensemble Offspring’s premiere of Iron Rain and Irene Kurka’s interview with me for her neue musik leben podcast.
Email email@example.com for information on how to get the scores and CDs listed here. Also available is Rose Dodd’s book, Perspectives on the Music of Christopher Fox – Straight Lines in Broken Times. The Musical Times review of the book in 2017 concluded that ‘Fox’s bold estrangement of the most basic elements of classical connectedness brings experimental cool into productive interchange with that modernist turbulence, and helps to highlight his skill at crossing borders considered insurmountable by more mainstream modernists.’
But the book doesn’t cover newer music such as the Topophony works, A New Ocean and The Red Studio. Ilan Volkov premiered the orchestral Topophony with the BBC Scottish Symphony Orchestra and soloist Rhodri Davies (a clip from the BBC SSO performance is still on the orchestra’s web-pages) and the chamber orchestral Topophony with Yoni Silver, Ram Gabay and the Israel Contemporary Players. On HatHut there’s a CD with three recordings by Ilan and the WDR Orchestra: orchestra alone, a concert performance with Axel Dörner and Paul Lovens, and a studio version with John Butcher and Thomas Lehn. A New Ocean, for six instrumentalists and electronics, was premiered in the Negev desert in November and John Snijders’ recording of The Red Studio has just been released on the ezz-thetics label. Email me at firstname.lastname@example.org to get a copy at a very reasonable price.
Christopher Fox, 5 July 2020